Takoyaki, An Osaka Street Food Staple, Fried Octopus Dumplings from Otsumami by Atsuko Ikeda

For a 3rd and last helping from Otsumami by Atsuko Ikeda (published by Ryland Peters & Small, 2022), here is Takoyaki, an Osaka street food staple.

TAKOYAKI, 

FRIED ROUND DUMPLINGS STUFFED WITH OCTOPUS

Along with okonomiyaki, takoyaki are probably one of the most famous Osakan street foods, but you can also find them everywhere across Japan. They are little round balls of batter, crispy on the outside, soft on the inside and stuff ed with little nuggets of octopus. You’ll need to buy a special pan (widely available online) to make takoyaki, but they’re definitely worth it as they are such a perfect party food.

Takoyaki

Ingredients:

450 ml/scant 2 cups Dashi* of your choice

1 UK large/US extra-large egg

2 tsp light soy sauce

150 g/1 cup plus 2 tbsp plain/all-purpose flour, sifted

3½ tbsp vegetable oil, for frying

FILLING

200 g/7 oz. octopus tentacles

20 g/¾ oz. pickled ginger, finely chopped

2 spring onions/scallions, finely chopped

TO SERVE

120 g/4¼ oz. takoyaki sauce

60 g/2 oz. Japanese mayonnaise

10 g/⅓ oz. bonito flakes (katsuobushi)

2 tsp aonori seaweed flakes

iron takoyaki pan with 16 holes (each hole 4 cm/1½ inches wide)

MAKES 32

Directions:

Whisk the dashi, egg and light soy sauce together in a large jug/pitcher. Sprinkle over the flour in two additions and gently whisk into the dashi mixture until incorporated into a smooth batter. Do not overmix.

Before you start cooking, make a simple but useful tool: scrunch some good-quality, thick kitchen paper tightly into a ball. Place the ball in the middle of another sheet of kitchen paper then wrap it around and twist the loose ends together to make a lollipop/candy on a stick shape.

Heat the takoyaki pan over high heat. When the pan is hot, dip the paper ball of the lollipop into the vegetable oil, then use it to oil each hole. Dip the paper in the oil again, then use it to coat the flat surface of the pan. You’ll need to cover the whole surface of the pan in oil to avoid the batter sticking. There should be some oil pooling at the bottom of the holes. 

Pour a quarter of the batter into each hole in the pan. Put half of the octopus pieces in each hole, then scatter half the pickled ginger and spring onions/scallions over the entire pan. Finally, pour over another quarter of the batter so it spreads across the flat surface of the pan. Reduce the heat to medium-low and cook without touching for 5 minutes.

Use bamboo skewers or chopsticks to push one side of the batter away from the rim of a hole. It will move easily if it’s set underneath, if not then wait a little longer before trying again. Once the bottom is crispy, use chopsticks to rotate the balls 90 degrees so that any uncooked batter is underneath. Stuff any of the surrounding dough on the flat part of the pan inside the balls as you turn them. When the bottom becomes crispy again (after a minute or so), repeat the 90-degree rotation and stuffing process three more times in the same direction. At this point, turn the takoyaki around every which way, until the surface is golden all over and they are perfectly round! Using bamboo skewers, remove the takoyaki from the pan to serving plates or bamboo boats. Repeat the cooking process with the remaining ingredients to make a second batch.

Drizzle over the takoyaki sauce and mayonnaise, then sprinkle with bonito flakes and aonori before serving.

Otsumami cover (1)

(* Excerpted from Otsumami: Japanese Small Bites & Appetizers: Over 70 Recipes to Enjoy with Drinks by Atsuko Ikeda, published by Ryland Peters & Small 2022 / Photography by Yuki Sugiura (c) Ryland Peters & Small 2022)


British Italian Bridge, Kani Zosui, Cross between Risotto and Porridge, Recipe from Otsumami by Atsuko Ikeda

A British Italian bridge, Kani Zosui is sort of a cross between risotto and porridge. This Crab Meat Rice Recipe is the first taste we share from Otsumami by Atsuko Ikeda (published by Ryland Peters & Small, 2022)

KANI ZOSUI 

CRAB MEAT RICE

Zosui is something between a risotto and a porridge. It is usually enjoyed at the end of a nomikai or work drinks party to finish the meal. There are various types of zosui, some being soupy and others a thicker consistency. I prefer the latter, which I’m sharing with you in this recipe. This dish is enjoyed at the end of the meal because of its digestive properties. The rice is simmered longer than usual and is very delicate in flavor. Especially prepared in winter, it will warm up your body at the end of a cold day. This is proper, healthy comfort food.

400 ml/1⅔ cups Kombu & Katsuobushi Dashi* 

250 g/9 oz. cooked rice (next-day rice is even better for this)

1 tbsp sake

1 tbsp light soy sauce

2 tsp mirin

150 g/5½ oz. white and brown crab meat

1 egg, beaten

salt

TO SERVE

50 g/1¾ oz. salmon roe s

mall handful of coriander/cilantro leaves

Serves 4

Kani Zosui

Bring the katsuobushi dashi to the boil in a large saucepan or Japanese donabe hot pot.

Add the cooked rice, sake, light soy sauce and mirin. Cover with the lid and simmer for 5 minutes over low heat.

Add the crab meat, stir and cover with the lid again. Simmer over low heat for a further 5 minutes. The consistency should be getting towards something like a thick porridge.

Towards the end of the simmering time, pour the beaten egg over the top of the rice, then replace the lid and simmer for a final 2 minutes.

Stir gently to mix the egg with the rice and season with a little salt if necessary. Serve in individual serving bowls, topped with salmon roe and coriander/cilantro leaves.

*DASHI

Dashi is an ingredient at the heart of Japanese cuisine, and is used as the base of many traditional dishes in this book. I have either specifed which type of dashi to use, or I’ve left it up to you to choose your favorite for the recipe.

NOTE I wouldn’t recommend freezing any dashi, it is easy to make and the flavors would not survive.

NOTE The quality of water is as important for dashi as it is for brewing tea, so a soft or filtered water is ideal.

KOMBU DASHI

Kombu dashi is the favored type of stock in shojin ryori (Buddhist vegan cuisine). Different varieties of kombu are available, each with slightly different flavours – Rishiri, Hidaka, Rausu and Makombu are the most common. There are two ways of making kombu dashi. Simply soak the kombu in cold water overnight to draw out its elegant flavour, or soak it quickly in heated water for a richer, deeper flavor. The recipe below is for the latter method:

1 litre/quart cold water

10 g/¼ oz. (5 x 10-cm/2 x 4-inch) piece of kombu

MAKES 1 LITRE/QUART

Place the water and kombu in a large saucepan and let it soak for at least 30 minutes.

After 30 minutes, start to gently bring the water to the boil over medium-high heat. Just before it reaches boiling point – when small bubbles appear at the bottom of the pan – remove the kombu and take the pan off the heat. The temperature should reach no more than about 60°C (140°F). Do not let the kombu boil; if you do the flavor will be spoilt. The kombu dashi is now ready to use. It will keep in the fridge in a sealed container for up to 3 days. You can use the same piece of kombu again to make another dashi, or dice and add it to soups or salads.

KOMBU & SHIITAKE DASHI

This stock is useful in any vegetarian dish. The dried shiitake mushrooms add an extra earthy depth of flavor to the broth. The magic, umami-rich combination of both kombu and shiitake really enhances the flavor of any ingredient it pairs with. You can keep both the rehydrated shiitake mushrooms and kombu for use in other recipes.

1 litre/quart cold water

10 g/¼ oz. (5 x 10-cm/2 x 4-inch) piece of kombu

20 g/¾ oz. dried shiitake mushrooms

MAKES 800 ML/3⅓ CUPS

Place the water, kombu and shiitake mushrooms in a large saucepan and leave them to soak for at least 30 minutes.

After 30 minutes, start to gently bring the water to the boil over medium-high heat. Just before it reaches boiling point – when small bubbles appear at the bottom of the pan – remove the kombu. Do not let the kombu boil; if you do the flavor will be spoilt. Continue heating to bring the water and mushrooms to the boil.

Once boiling, reduce the heat to low and simmer, uncovered, for 10 minutes. Skim any scum off the surface of the dashi as it cooks.

Turn the heat off and strain the dashi through a muslin/cheesecloth or fine-mesh sieve/strainer. The dashi is now ready to use. It will keep in the fridge in a sealed container for up to 3 days.

** KOMBU & KATSUOBUSHI DASHI

This is the most common dashi for non-vegetarians. It uses both kombu and bonito flakes (katsuobushi) together for an umami-rich dashi with a complex, deep flavor. It is perfect for clear soups, egg dishes or noodles in broth where the dashi shines through as the primary flavor.

1 litre/quart cold water

10 g/¼ oz. (5 x 10-cm/2 x 4-inch) piece of kombu

20 g/¾ oz. bonito flakes (katsuobushi)

MAKES 800 ML/3⅓ CUPS

Place the water and kombu in a large saucepan and leave to soak for at least 30 minutes.

After 30 minutes, start to gently bring the water to the boil over a medium-high heat. Just before it reaches boiling point – when small bubbles appear at the bottom of the pan – remove the kombu and continue heating. Once boiling, turn the heat off and sprinkle the katsuobushi (bonito flakes) into the kombu dashi. Leave to brew for 2 minutes, letting the flakes sink to the bottom of the pan.

Strain the dashi through a muslin/cheesecloth or  fine-mesh sieve/strainer, letting it drip through. The finished dashi is now ready to use. It will keep in the fridge in a sealed container for up to 3 days.

Otsumami cover

(* Excerpted from Otsumami: Japanese Small Bites & Appetizers: Over 70 Recipes to Enjoy with Drinks by Atsuko Ikeda, published by Ryland Peters & Small 2022 / Photography by Yuki Sugiura (c) Ryland Peters & Small 2022)


Walk Into the Storm and Stroll Around Hokkaido in Ink with Illustrator and Digital Artist Mateusz Urbanowicz

Walk into the storm andstroll around Hakkaido with illustrator and digital artist Mateusz Urbanowicz, Polish born, based in Tokyo.

I picked Into the Storm for 2 reasons. First here in New Jersey as I write this thunderstorms are on the way, second it in a way illustrates our walk into (and hopefully through) the Covid storm.

Into the Storm Stand Alone Works Mateusz Urbanowicz

The stroll around Hokkaido, spoke to me through its ink illustrations. The small Hokkaido in Ink book contains 30 something ink illustrations, each with side notes. Book is available for purchase both in print and digital editions.

Hokkaido in ink Mateusz Urbanowicz

Let me give credit to Scott Pack for putting Mateusz Urbanowicz.

Watercolor and Ink for Tokyo Thursdays #320


Himono Nights, French Air Dry their Laundry, Japanese Air Dry their Fish, Balcony a Plus

French air dry their laundry, Japanese their fish, balcony a plus.

Air dried fish food sake tokyo

What you can see above as described by Yukari Sakamot0 in her own words:

"The fish hanging are sayori halfbeak. When we make himono (air-dried fish) at home we usually hang the fish out overnight and then after that we move the fish into the freezer or refrigerator."

Yukari Sakamoto is the author of 'Food, Sake, Tokyo', The Blog, and also The Book 

Fish at night for Tokyo Thursdays #319

(* Photo courtesy of Yukari Sakamoto, location details: "#Teradomari #寺泊 is a charming village on the Sea of Japan. This #Niigata #新潟 town has about a dozen seafood and omiyage souvenir shops facing the sea"...taken a few years ago)


Koyo, Red Leaves and the Colors of Autumn, Big in Japan, Catch them While you Can

Koyo, red leaves (whose colors might have faded by now) 

The colors of autumn, big in Japan!

Autumn Leaves Grover Cleveland Park

If I can trust GaijinPot Travel map, best places to still catch them early December are in Kiyomizudera (Kyoto) and near Kintaikyo Bridge in Yamaguchi.

Catch them while you can!

Tradition in Transition for Tokyo Thursdays #318

(* Not even Half-Japanese photo, snapshot today at Grover Cleveland Park)


Dye and Textile Art and a Garden, Itchiku Kubota Art Museum, Fujikawaguchiko, Japan, Near Lake Kawaguchi

Textile art and a garden, find both at Itchiku Kubota Art Museum in Fujikawaguchiko (Japan) near lake Kawaguchi...

Not to forget views of Mount Fuji.

Itchiku museum

Here's a short introduction to the work of textile artist Itchiku Kubota (1917-2003) as shared by museum website:

"This museum contains the works of the textile artist Itchiku Kubota who revived the traditional fabric dyeing technique of Tsujigahana. Tsujigahana flourished in Muromachi period and then disappeared just as suddenly.
When Itchiku Kubota was 20 years-old, he was absolutely-fascinated with the beauty of the fabric dyeing and created his own contemporary style called Itchiku Tsujigahana."

Distant travels and dye art for Tokyo Thursdays # 317

(* Image from Itchiku Kubota Art Museum from museum's website)


75 Years of Japanese Design, One Book by Naomi Pollock, Japanese Design since 1945

75 Years of Japanese Design, One Book by Naomi Pollock, Japanese Design since 1945 (Abrams Books, November 3-2020) 

Japanese design since 1945

"For the Japanese, the concept of design is not limited to functionality and materiality—it is deeply connected with culture and tradition. In this sense, everyday objects become more than their function: they are to be reflected upon, to be touched and cherished."

I also wrote in Tree House for Grown Up Escapes, Pilotis in a Forest (May 5, 2016) about a previous book by Naomi Pollock titled 'Jutaku, Japanese Houses'

75 Years of Japanese Design on the menu for Tokyo Thursdays # 316


Olive Not, Turn a Green Leaf on your Martini, Shiso Martini from 'Japanese Cocktails' by Leigh Clarke

Olive not, turn a green (and purple leaf) with this Shiso Martini from 'Japanese Cocktails' (Over 40 highballs, Spritzes and other refreshing low-alcohol drinks) by Leigh Clarke (Ryland Peters & Small, 2019), photography by Alex Luck.

Shiso Martini

Shiso is a beautiful green and purple leaf used throughout Japanese cuisine. Its delicate flavour combines well with vermouth in this martini. The measure is kept small so that the drink doesn’t warm too much in the glass.

Ingredients:

50 ml/1 2⁄3 fl oz. Shiso Vodka*

10 ml/2 teaspoons dry vermouth

Small shiso leaf, to garnish

ShisoVodkaSoda+ShisoMartini

Directions:

Place a small coupe glass in the freezer. Pour the vodka and vermouth into a mixing glass full of ice. Stir well, then strain into the frosted coupe glass. Garnish with a small shiso leaf.

Shiso Vodka Soda

Shiso is part of the mint family and has a unique grassy, peppery flavour. It gives a perfect little twist on this classically ‘clean’ drink.

40 ml/1 1⁄3 fl oz. Shiso Vodka*

5 ml/1 teaspoon Acidulated Sugar Syrup**

soda water, to top up

edible flower, to garnish

Combine the shiso vodka and acidulated syrup over ice in a highball glass. Briefly stir, then top up with soda. Garnish with an edible flower.

*Shiso Vodka

300 ml/1 1⁄4 cups vodka

3 g fresh shiso leaves

Add the shiso leaves to the vodka and then leave to steep for 2 hours at room temperature. Bottle and keep in the refrigerator for up to 1 month.

** Acidulated Sugar Syrup

This syrup is used as a brightener in some drinks, as you would use a squeeze of lime in a highball. Simply stir in 6.4 g citric acid and 3.2 g malic acid to 150 g/5 1⁄2 oz. sugar syrup (with a 2:1 sugar to water ratio) off the heat until dissolved. Let the syrup cool before bottling. It will keep for up to 3 weeks refrigerated.

This is Tokyo Thursdays # 315

(* 'Shiso Martini' recipe reproduced with permission from 'Japanese Cocktails' Over 40 highballs, Spritzes and other refreshing low-alcohol drinks by Leigh Clarke with photography published by Ryland Peters & Small, 2019).


Italian Summer Favorite meets Tangy Melon Sorbet with Sparkling Sake Sgroppino from 'Japanese Cocktails'

Italian Summer meets Tangy Melon Ice with Sparkling Sake Sgroppino from 'Japanese Cocktails' (Over 40 highballs, Spritzes and other refreshing low-alcohol drinks) by Leigh Clarke (Ryland Peters & Small, 2019), photography by Alex Luck.

Sparkling Sake Sgroppino

A popular summer dink in Italy, this version of Sgroppino swaps the usual lemon sorbet for a tangy melon ice, which works in harmony with the delicate sparkling sake.

Sake Sgroppino

Ingredients:

2 scoops Melon Sorbet*

15 ml...half fl oz. vodka or gin (as preferred)

Sparkling Sake, to top up

Lime zest, to garnish

Directions:

Remove the sorbet from the freezer 10 minutes before you want to serve.

Place two scoops of melon sorbet into a mug or glass and pur your chosen spirit over.

Gently pour the sparking Sake down the side of the vessel to stop it over-foaming, until you reach about 2cm...3/4 inch from the top.

Garnish with a strip of lime zest.

*Melon sorbet: 1 honeydew melon, peeled, seeds removed and chopped, 100g...1/2 cup caster/granulated sugar, 100ml...1/3 cup lime juice.

Place the ingredients in a blender and blend until smooth. Transfer to a freezer proof container and freeze. Stir the sorbet mixture every 3 hours, using a fork to break up any ice crystals, until smooth and frozen.

This is Tokyo Thursdays # 314

Previous One (April 25, 2019):

Invisible Mending, Meet Director of Kimono Restoration Koshiro Tatematsu at Japan Society, NY, May 21

(* Sparkling Sake Sgroppino recipe reproduced with permission from 'Japanese Cocktails' Over 40 highballs, Spritzes and other refreshing low-alcohol drinks by Leigh Clarke with photography published by Ryland Peters & Small, 2019).


Invisible Mending, Meet Director of Kimono Restoration Koshiro Tatematsu at Japan Society, NY, May 21

Since beginning of my concierge tenure, shoe and bag repairs as well as many clothing alterations are part of the requests.

I have not been offered challenge to restore kimono to its original state. 

The Japan Society in New York invites us to explore Invisible Mending: The Magic of Kimono Restoration on May 21, 2019.

Invisible mending

In Japan Society's event notes:

"Some might see a tear or stain on a beautiful kimono and think the garment can never be restored to its former glory. But Japan's kimono restoration artisans aim to do just that. These master craftsmen can make small holes seem to disappear as though they never existed, and completely transform discolored garments. High-end apparel makers around the world have taken note, and are now applying these techniques to conserving Western fashions like suits and gowns. At this talk, Koshiro Tatematsu of kimono restoration service Chojiya unravels some of the mysteries behind these fascinating mending techniques, and reveals how they're being used in the fashion world today. Kimono restoration artisans Yoshiko Goto and Minako Mizuochi will show off some of these fascinating techniques first-hand in on-stage demonstrations. "

Tickets are $15 for non-members and $12 for members, seniors and students.

This Tokyo Thursdays # 313 marks the return of Tokyo Thursdays.

Previous One (August 18, 2016): 

Luminous Morning Stroll Minus Tea in Nitobe Memorial Garden, UBC Gardens, Vancouver, August 8