Fishing for New Ideas, Pacific Saury with Tomato Sauce Recipe from Donabe, Classic and Modern Japanese Clay Pot Cooking (Ten Speed Press, October 2015)by Kyle Connoughton and Naoko Moore.
Pacific Saury with Tomato Sauce and Oven-Dried and Fresh Tomatoes
Serves 4 as part of a multi-course meal
The tomato sauce is the heart of this dish. It was inspired by work we did at The Fat Duck from a study Fat Duck chef and owner Heston Blumenthal had conducted with Reading University and Umami Information Center. This study compared the levels of glutamates (the proteins responsible for umami taste) in the outer flesh of the tomato against that of the center. It was discovered that the center of a tomato is much higher in these glutamates, and concentrating the tomato centers increases the umami taste even further. So for this recipe I cook the tomato centers down to create umami-rich sauce on a par with that of sauce based on those high-umami Japanese ingredients, miso, dashi, or soy sauce. The body shape and clay of a soup and stew donabe like the Miso-Shiru Nabe are perfect to concentrate these flavors and brown the sugars in the tomato along the edges to develop a deep, rich flavor. With this in mind, try cooking other tomato sauces for pasta dishes such as Bolognese and see the difference a donabe can make! The leftover flesh of the tomato in my recipe is oven-dried as another way to concentrate the glutamates.
I made this recipe in Iga in the kitchen of the Nagatani family using sanma (Pacific saury), but it will also work well with sardines or fresh mackerel. – Kyle
Equipment: 1 large (1.6-quart/1.6 L) soup and stew donabe
5 pounds (2.25 kg) ripe, red heirloom or beefsteak tomatoes
2 cloves garlic, thinly sliced lengthwise
2 tablespoons extra-virgin olive oil
6 to 8 ounces (180 to 240 g) komatsuna (mustard spinach), mustard greens, spinach, or mizuna leaves, separated
1⁄4 cup (60 ml) grapeseed or canola oil
16 to 18 ounces (450 to 500 g) Pacific saury, mackerel, or sardine fillets
4 to 6 ounces (120 to 180 g) small cherry and/or teardrop tomatoes (preferably a mix of colors)
Freshly grated yuzu zest, for garnish
Chrysanthemum petals or flowers from spicy greens, for garnish
To prepare the sauce: Core the tomatoes and bring a large pot of water to a boil. Prepare a large ice bath with more ice than water. Blanch the tomatoes in the boiling water for 5 seconds and transfer to the ice bath to stop cooking. Once they have cooled, peel the skins from the tomatoes and discard. Cut the tomatoes in half lengthwise and scoop out the centers into the donabe. Divide the tomato halves into 2 pieces each and cut away the interior of the tomato from the outer flesh using a paring knife. Place the interior of the tomato in the donabe. Reserve the exterior of the tomatoes, that will now resemble petals. Place the donabe over medium heat and bring the tomato centers to a simmer. Simmer uncovered for about 1 hour, stirring regularly and scraping down the sides.
Meanwhile, preheat the oven to 275°F (135°C). Line a baking sheet with parchment paper or a silicone baking mat and lay the tomato petals, insides up, in a single layer on the sheet. Sprinkle with a little salt and lay one slice of garlic on each petal. Drizzle with the olive oil and place in the oven. Turn the tray every 15 minutes, until the tomatoes are dry but still jammy (tomatoes should bake for a total of about 45 minutes). Set aside to cool.
Bring a pot of water to a boil and blanch the greens briefly until just tender, 5 to 10 seconds. Drain in a colander and allow to cool at room temperature. Sprinkle with a small amount of salt.
Once the tomato sauce has cooked down to a sauce consistency and is beginning to concentrate, prepare the fish. In a sauté pan, heat the oil over medium-high heat. Place the fish skin-side down in the pan and sprinkle with salt. Cook on the skin side only until crisped and just cooked through, about 1 minute. Transfer to paper towels to drain.
Cut the cherry tomatoes into quarters. Taste the sauce and season with salt if needed; gently fold in the cherry tomatoes, dried tomatoes, and greens (reserving some of each to place on top). Cut the fish into strips about 3 inches (7.5 cm) long. Combine with the sauce and garnish the top with greens, dried tomatoes, fresh tomatoes, yuzu zest, and chrysanthemum petals.
Fishing for ideas with Tokyo Thursdays # 309, first of 2016
(*Reprinted with permission from Donabe, by Kyle Connoughton and Naoko Moore, copyright 2015, published by Ten Speed Press, an imprint of Penguin Random House LLC. Photography copyright 2015 by Eric Wolfinger)
This chocolate pie with an ultra-thin crust is a French specialty that first became popular during the 1980s. The crust is a classic pâte brisée, and the thinner it is the better. The recipe calls for removing the lightly cooked crust from the pan before filling, but this is a very delicate operation and the pie will be just as delicious served from the pan.
For 6 servings
For the pâte brisée:
1 cup (200g) all purpose-flour
½ cup (100g) sweet butter, softened
2 egg yolks
Pinch of salt
3 tablespoons cold water
For the chocolate filling:
9 oz. (250g) bittersweet chocolate
⅔ cup (150g) light cream
½ vanilla bean
2 egg yolks
2 ½ tablespoons (30g) sweet butter, softened
To make the pâte brisée:
Sift the flour and the salt into a mixing bowl, making a well in the center. Place the cold water, the egg yolks, and the butter in small pieces, into the well and knead gently until the dough becomes workable. Turn the dough out onto a work surface and, using the palm of the hand, push the dough away from you to blend the ingredients thoroughly. Gather the dough into a ball, wrap in a damp cloth or plastic wrap, and refrigerate for at least an hour.
Heat the oven to 390⁰F (200⁰C).
Unwrap the chilled dough and roll it out to a thickness of ⅛ inch (3mm) on a floured work surface. Place the dough into a buttered pie or tart pan and pat it well into place. Prick the bottom with a fork. Line the pan with foil or wax paper, fill with dry beans to weight it down, and bake until the crust starts to color, about 10 minutes. Remove the lining and the beans and bake for about 5 minutes more, or until the crust turns a light golden brown; the crust should be lightly cooked. Remove from the oven and let cool. Carefully remove the crust, which will be very fragile, from the pan and place it on a rack.
Break the chocolate into small pieces and place in a large, heat-resistant mixing bowl.
Heat the cream with the vanilla bean, to split lengthwise. When the cream begins to boil, remove the vanilla bean and pour the cream over the chocolate. Stir well, until the chocolate melts and the mixture is well blended and smooth. Add the egg yolks and the softened butter and mix well.
Pour the still-warm filling into the lightly cooked pie crust and cool completely before serving.
More than a cookbook, 'The Book of Chocolate' covers everything from Cacao Plantations to History of Chocolate and Great Names of Chocolate and concludes with The Taste of Chocolate chapter where this recipe can be found.
Any chocolate lover will want The Book of Chocolate on their coffee table...and it retails around $18...
(* Reproduced with permission from The Book of Chocolate' Flammarion, 2004...Revised and updated edition - October 2015...Originally published in France as 'Le Livre du Chocolat' in 1995)
Not every American will go for their 'Fish Head Soup' recipe yet I am sure every one of them will find something to be awed by in Hartwood 'Bright, Wild Flavors from the Edge of the Yucatan' (Artisan Books, Fall 2015) by Eric Werner and Mya Henry.
The couple decided to leave their New York restaurant jobs and pack up their bags for Tulum (Yucatan, Mexico) to build their dream restaurant open to the skies.
Here's a cocktail from the book to make you thirsty for more.
Makes 1 drink
A marocha is a woman with dark hair and smoky coloring; it’s also slang for a party girl, the one who’s always going out and hitting the dance floor. This drink tastes how a marocha looks: earthy papaya (which becomes buttery when pureed) paired with smoky mezcal and brightened with orange juice. It’s also what a marocha might drink to get the night going.
2 shots papaya puree
1 shot smoky mezcal
¼ cup fresh orange juice
Pour the papaya puree into a glass, then fill the glass with ice. Add the mezcal and orange juice and stir well.
Fresh off the press, Art Place Japan'The Echigo-Tsumari Art Triennale and the Vision to Reconnect Art and Nature' (Princeton Architectural Press, November 3, 2015) opens a window to all of us who are not part of the 500.000 people who were lucky to participate in Echigo-Tsumari Art Triennale since 2000.
How does event reconnect art and nature as illustrated in book?
In Guided by Art through the Satoyama Landscape, the playful Tsumari in Bloom (page 34-35) wags its tale over the fields while House of Birds (page 37) stands in snowy landscape.
Yes, Human Beings Are Part of Nature and Terraced Rice Fields (page 58) can be the artist's canvas.
Featuring the snow notes that 'In the 1950's Tokamachi adopted the attitude of rather than antagonize. let's befriend the snow'. Gift for Frozen Village (page 76) illustrates that, 'participants planted 10,000 led lights in snow which they called 'seeds of light'
Old cooking pots and pans become art in Akiya (page 114)...
In Collaborations, I thought of airing clean laundry outdoors with White Project (page 181, pictured above), 'the white cloth made by members of the community was joined to represent the connection between the spirits of people, the world, and generations'.
The Art of Daily Life can come from the snail shell like formation of cars in parking lot (page 221).
As for Incorporating Art into Life, the family of late art critic Yusuke Nakahara donated his collection of 20,000 books which became part of installation The Cosmology of Yusuke Nakahara (page 223, pictured below) by Tadashi Kawamata.
'Art Place Japan' is authored by Fram Kitagawa, the general director of the event, with contributions from Lynne Breslin and Adrian Favell.
Connecting art, people and nature for Tokyo Thursdays # 307
(* Images reproduced with permission from Art Place Japan'The Echigo-Tsumari Art Triennale and the Vision to Reconnect Art and Nature' -Princeton Architectural Press, November 3, 2015- by Fram Kitagawa)